“Dead girl walking,” the boys say in the halls.
“Tell us your secret,” the girls whisper, one toilet to another.
I am that girl.
I am the space between my thighs, daylight shining through.
I am the bones they want, wired on a porcelain frame.
Lia and Cassie were best friends, wintergirls frozen in matchstick bodies. But now Cassie is dead. Lia's mother is busy saving other people's lives. Her father is away on business. Her step-mother is clueless. And the voice inside Lia's head keeps telling her to remain in control, stay strong, lose more, weigh less. If she keeps on going this way—thin, thinner, thinnest—maybe she'll disappear altogether.
In her most emotionally wrenching, lyrically written book since the National Book Award finalist Speak, best-selling author Laurie Halse Anderson explores one girl's chilling descent into the all-consuming vortex of anorexia.
“Tell us your secret,” the girls whisper, one toilet to another.
I am that girl.
I am the space between my thighs, daylight shining through.
I am the bones they want, wired on a porcelain frame.
Lia and Cassie were best friends, wintergirls frozen in matchstick bodies. But now Cassie is dead. Lia's mother is busy saving other people's lives. Her father is away on business. Her step-mother is clueless. And the voice inside Lia's head keeps telling her to remain in control, stay strong, lose more, weigh less. If she keeps on going this way—thin, thinner, thinnest—maybe she'll disappear altogether.
In her most emotionally wrenching, lyrically written book since the National Book Award finalist Speak, best-selling author Laurie Halse Anderson explores one girl's chilling descent into the all-consuming vortex of anorexia.
Summer 1924
On the eve of a glittering society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again.
Winter 1999
Grace Bradley, ninety-eight, one-time housemaid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and old memories - long consigned to the dark reaches of Grace's mind - begin to sneak back through the cracks. A shocking secret threatens to emerge, something history has forgotten but Grace never could.
Set as the war-shattered Edwardian summer surrenders to the decadent twenties, The House at Riverton is a thrilling mystery and a compelling love story.
On the eve of a glittering society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again.
Winter 1999
Grace Bradley, ninety-eight, one-time housemaid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and old memories - long consigned to the dark reaches of Grace's mind - begin to sneak back through the cracks. A shocking secret threatens to emerge, something history has forgotten but Grace never could.
Set as the war-shattered Edwardian summer surrenders to the decadent twenties, The House at Riverton is a thrilling mystery and a compelling love story.
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